ishtartv.com- ekurd.net
Posted on June 13, 2015 by Editorial Staff in Music
https://www.youtube.com/watch?v=fLMtTQsiW6I&spfreload=10
ERBIL-Hewler, Kurdistan region ‘Iraq’,— High heels, fatigues
and gold rifle-shaped rings — singer Helly Luv’s blend of bang and bling has
made her the most popular cheerleader for the Iraqi Kurds’ war against
jihadists.
She visits peshmerga forces fighting the Islamic State
group, which overran a third of Iraq last year, and says she filmed her latest
music video
in Al-Khazr, not far from the jihadists’ lines.
“I want to give something to the peshmerga because I
consider myself one of them,” the 26-year-old singer told AFP in the
Kurdistan capital city of Erbil.
“I wore peshmerga clothes in the song to support them.”
Her latest music video, for a song titled “Revolution,” opens with a
peshmerga fighter looking at a picture of himself with a young boy,
presumably his son, as shelling and gunfire are heard in the background.
He tucks the photo inside his helmet and goes to fight.
The video then moves to a quiet village where children play
and people sit drinking tea, but it soon comes under fire from black-clad
militants driving armoured vehicles like those captured from Iraqi security
forces, including a tank.
A child screams and residents flee, but Helly Luv — wearing
golden high heels with a white and red scarf covering her face — strides the
other way to dramatic music, unfurling a banner before the tank that reads
“STOP THE VIOLENCE.”
She sings and dances next to a car with “END WAR” spray
painted on its side, but footage that includes peshmerga forces
counterattacking and lyrics such as “We gon’ keep on fighting” make clear she
means the violence will stop once IS is defeated.
The music video hits on many themes that the peshmerga have
sought to emphasise since the anti-IS conflict began last June, showing them as
the brave, secular defenders of the innocent threatened by jihadist brutality.
To hammer home the coexistence message, people march in the
video carrying banners with peace messages in various languages and an array of
religious symbols, including the Jewish star of David and the Buddhist wheel.
‘Kurdish Shakira’
The video and English lyrics are over the top and sometimes
cringe-worthy, but also apparently popular, garnering 700,000 views on YouTube
barely two weeks after its release.
“The song is called ‘Revolution’ and I call in it for
Kurdistan and the countries of the world to unite to fight terrorism and
injustice,” Helly Luv said.
“I want to show the world who the peshmerga forces are, and
who Daesh is,” she said, using an Arabic acronym that the jihadist group deems
derogatory.
Peshmerga officer Nawzad Saleh, said that in the days when
the peshmerga were mountain-based rebel fighters, singers sang songs encouraging
them to fight.
“Now the Kurdish singers have begun singing for the
peshmerga in other languages, and this is a beautiful step and will result in
the world knowing more about who the peshmerga are,” he said.
Peshmerga fighter Abdulrahman Ahmed agreed, saying such
songs will encourage “the international community to sympathise and cooperate
with us more, and support us with weapons to continue fighting these terrorists
and eliminate them once and for all.”
According to her online biography, Helly Luv was born Helan
Abdulla in Iran in 1988 and her grandfather fought for the peshmerga.
Her family had fled Saddam Hussein’s rule and she grew up
mainly in Finland before flying to Los Angeles when she turned 18 to pursue a
career in music.
With plenty of hip-swinging and hair-swishing, the
rock-chick style of the “Kurdish Shakira” is in stark contrast with the sombre
and pious “nasheeds” — both for and against IS — that have blossomed on social
media over the past year.
When the jihadist group took over swathes of Iraq in June
2014 and subsequently attacked the peshmerga, many in the West held up the
Kurds as the moral and military flagship of the world’s fightback against IS.
Of filming in Al-Khazr, Helly Luv said: “There were some who
warned me against going there, but I insisted that filming be in real places
affected by Daesh terrorism.”